Controls that don’t relate to a synth or effect, such as the Transport, Metronome, Tape Tempo, and the like remain active.
To edit NKS plug-ins, press the PLUG-IN mode button in the keyboard’s cluster of six buttons, toward the upper right. 1).įigure 2: How to add the Komplete keyboard as a control surface for DAW integration. Scroll to the entry for Native Instruments, unfold it, and select either your A/M or S series keyboard for Receive From and Send To. There’s a lot to cover, and since this is more like a tutorial than a tip, it’s split into three parts: DAW control with Studio One, creating custom templates for plug-ins, and how to apply the templates in your workflow.Ĭhoose Studio One > Options > External Devices, and click Add. Also, unlike standard NKS, you’ll be able to control effects, regardless of whether or not they’re inserted in an instrument track.
Although these keyboards are theoretically dedicated to NKS-compatible plug-ins and mixer/transport hands-on control, with Windows systems (Mac fans, there’s more on this later) you can use the keyboard as a general-purpose, hands-on MIDI controller for non-NKS plug-ins, including all bundled PreSonus effects and instruments (as well as plug-ins from other manufacturers). Plus a few touches unique to each model.Studio One 4.53 introduced integration with Native Instruments’ Komplete series of keyboards, which is a big deal. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.Īll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options.
Like the filters, Diva’s oscillators are also modelled on classic hardware. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. (If you are interested, Urs wrote an in-depth blog post about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. The filters are at the heart of Diva’s analogue sound. One spirit, many flavours Oscillators and Filters
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